January 25 and 26, 2017


News and Views


http://www.mediaite.com/online/entire-state-department-senior-management-team-resigns/

Entire State Department Senior Management Team Resigns
by Alex Griswold | 12:36 pm, January 26th, 2017

According to reporting from The Washington Post Thursday, an unprecedented number of high-level State Department officials all resigned at the same time rather than stick around for the Donald Trump administration.

“Secretary of State Rex Tillerson’s job running the State Department just got considerably more difficult,” they report. “The entire senior level of management officials resigned Wednesday, part of an ongoing mass exodus of senior foreign service officers who don’t want to stick around for the Trump era.”

Among those on the way out: Undersecretary for Management Patrick Kennedy, Assistant Secretary of State Joyce Anne Barr, Assistant Secretary of State Michele Bond and Director of Foreign Missions Gentry O. Smith. Earlier in the week, Assistant Secretary of State Gregory Starr and director of the Bureau of Overseas Building Operations Lydia Muniz also resigned. All served under both Democratic and Republican administrations.

“It’s the single biggest simultaneous departure of institutional memory that anyone can remember, and that’s incredibly difficult to replicate,” former department chief of staff David Wade told WaPo. “Department expertise in security, management, administrative and consular positions in particular are very difficult to replicate and particularly difficult to find in the private sector.”

[Image via screengrab]



http://www.msnbc.com/rachel-maddow-show/counterintelligence-investigation-team-trump-casts-wide-net

Counterintelligence investigation into Team Trump casts a wide net
By Steve Benen
01/23/17 12:30 PM—UPDATED 01/23/17 03:10 PM

The morning of Donald Trump’s presidential inauguration, the New York Times published a striking front-page report: multiple U.S. agencies “are examining intercepted communications and financial transactions as part of a broad investigation into possible links” between Russian officials and Trump’s close associates.

According to the reporting, the counterintelligence investigation is focused on contacts between Moscow and members of Trump’s campaign team, including former campaign manager Paul Manafort, former foreign policy adviser Carter Page, and longtime Republican operative Roger Stone.

NBC News added later in the day that the FBI is not only part of a multi-agency investigation into Russia’s alleged intervention in the American presidential campaign, but U.S. officials are also “examining how the operation was paid for and whether any Americans were involved.”

The report went on to say, “One former intelligence official briefed on the matter said the investigation is looking into whether certain former Trump campaign aides had improper contacts with the Russians.”

It’s against this backdrop that the Wall Street Journal pushed this story forward overnight.

U.S. counterintelligence agents have investigated communications that President Donald Trump’s national security adviser had with Russian officials, according to people familiar with the matter.

Michael Flynn is the first person inside the White House under Mr. Trump whose communications are known to have faced scrutiny as part of investigations by the Federal Bureau of Investigation, Central Intelligence Agency, National Security Agency and Treasury Department to determine the extent of Russian government contacts with people close to Mr. Trump.

It isn’t clear when the counterintelligence inquiry began, whether it produced any incriminating evidence or if it is continuing. Mr. Flynn, a retired general who became national security adviser with Mr. Trump’s inauguration, plays a key role in setting U.S. policy toward Russia.

[Update: CNN is reporting that the investigation into Flynn’s talks with Russia is ongoing.]

If the reporting is accurate, it’s a major development. While Manafort, Page, and Stone played key roles in Trump’s campaign operation, none of them has an official role in the White House now. Flynn, however, is also allegedly being investigated – and he has an office in the West Wing.

Some backstory is probably in order. Nearly two weeks ago, the Washington Post’s David Ignatius reported:

Retired Lt. Gen. Michael T. Flynn, Trump’s choice for national security adviser, cultivates close Russian contacts. He has appeared on Russia Today and received a speaking fee from the cable network, which was described in last week’s unclassified intelligence briefing on Russian hacking as “the Kremlin’s principal international propaganda outlet.”

According to a senior U.S. government official, Flynn phoned Russian Ambassador Sergey Kislyak several times on Dec. 29, the day the Obama administration announced the expulsion of 35 Russian officials as well as other measures in retaliation for the hacking. What did Flynn say, and did it undercut the U.S. sanctions? The Logan Act (though never enforced) bars U.S. citizens from correspondence intending to influence a foreign government about “disputes” with the United States. Was its spirit violated? The Trump campaign didn’t immediately respond to a request for comment.

Trump’s team later insisted there was nothing untoward about the communications, and Press Secretary Sean Spicer told reporters Flynn and Kislyak merely spoke to coordinate upcoming conversations between the American and Russian presidents.

It appears that the officials overseeing the multi-agency investigation aren’t sure whether that defense is true. Some Democratic senators have already questioned whether Trump’s national security adviser should have his security clearance reexamined, and if Flynn is under investigation, those questions are likely to grow louder.

As we discussed last week, Flynn is already butting heads with some top members of Trump’s team, and these latest revelations will only hurt his standing further. If there’s a pool on which member of the White House team is most likely to depart first, keep a close eye on the controversial national security adviser.


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CONGRATULATIONS, MS. O’GRADY. THE USA NEEDS MORE LIKE YOU. STANDING UP FOR WHAT IS GOOD WHEN IT IS DANGEROUS TO YOURSELF IS COURAGE AND THE KIND OF INDEPENDENT THINKING THAT WE ARE LOSING, I'M AFRAID.

https://www.yahoo.com/news/secret-scrutinizes-agent-questioned-taking-bullet-trump-153238844.html

Secret Service scrutinizes agent who questioned taking a bullet for Trump
Reuters 8 hours ago January 25, 2017

Photograph -- A Secret Service agent stands guard next to the podium where U.S. Republican presidential candidate Donald Trump speaks to supporters during a campaign rally at Mid-Hudson Civic Center in Poughkeepsie, New York April 17, 2016. REUTERS/Eduardo Munoz

WASHINGTON (Reuters) - The U.S. Secret Service may discipline a senior official who suggested on Facebook that she did not want to "take a bullet" for President Donald Trump, the agency and a newspaper said.

The online comments, which were first reported by the Washington Examiner newspaper on Tuesday, were made over seven months ago by Kerry O'Grady, special agent in charge of the agency's Denver district.

In a recent post, O'Grady made the logo for the anti-Trump Women's March in Denver her Facebook cover backdrop on Friday, the day Trump was sworn in as president in Washington, the newspaper said.

"The U.S. Secret Service is aware of the postings and the agency is taking quick and appropriate action," the agency said in a statement on Tuesday. "Any allegations of misconduct are taken seriously and swiftly investigated."

O'Grady could not be reached for comment. The Secret Service is in charge of security for the U.S. president and his family, as well as other high-profile political figures including presidential candidates who request protection. Trump, a Republican, won the presidential election on Nov. 8 after a bruising campaign.

According to a screenshot of one of the postings published by the Examiner, O'Grady wrote in October that she had struggled not to violate the Hatch Act, which bars political activity by federal workers.

"But this world has changed and I have changed. And I would take jail time over a bullet or an endorsement for what I believe to be disaster to this country and the strong and amazing women and minorities who reside here," O'Grady wrote. "Hatch Act be damned. I am with Her."

The post did not mention Trump by name, but "I'm with her" was a campaign slogan for his Democratic rival Hillary Clinton.

O'Grady told the Examiner she deleted the post after two to three days of greater reflection.

"It was an internal struggle for me but as soon as I put it up, I thought it was not the sentiment that I needed to share because I care very deeply about the mission," the paper quoted O'Grady as saying.
(Reporting by Ian Simpson; Editing by Daniel Wallis and Frances Kerry)

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THE DEATH OF YET ANOTHER BELOVED PERFORMER. SO SORRY! LIKE SEVERAL OTHER PRIMARILY COMIC ACTORS OVER THE YEARS SHE HAS SHOWN GREAT SKILL AT SERIOUS ACTING ALSO. I PARTICULARLY REMEMBER “THE GIN GAME” WITH DICK VAN DYKE AND “ORDINARY PEOPLE”.

https://www.nytimes.com/2017/01/25/arts/television/mary-tyler-moore-dead.html?_r=0

Mary Tyler Moore, Who Incarnated the Modern Woman on TV, Dies at 80
By VIRGINIA HEFFERNAN
JAN. 25, 2017

Video -- Mary Tyler Moore brought a new depiction of the American woman to both “The Mary Tyler Moore Show” and “The Dick Van Dyke Show.” Virginia Heffernan, a contributing writer for The New York Times, discusses Ms. Moore's roles and their influence. By ROBIN LINDSAY and VIRGINIA HEFFERNAN on Publish Date January 25, 2017. . Watch in Times Video »
Video – How Mary Tyler Moore Changed Television

Mary Tyler Moore, whose witty and graceful performances on two top-rated television shows in the 1960s and ’70s helped define a new vision of American womanhood, died on Wednesday in Greenwich, Conn. She was 80.

Her family said her death, at Greenwich Hospital, was caused by cardiopulmonary arrest after she had contracted pneumonia.

Ms. Moore faced more than her share of private sorrow, and she went on to more serious fare, including an Oscar-nominated role in the 1980 film “Ordinary People” as a frosty, resentful mother whose son has died. But she was most indelibly known as the incomparably spunky Mary Richards on the CBS hit sitcom “The Mary Tyler Moore Show.” Broadcast from 1970 to 1977, it was produced by both Ms. Moore and her second husband, Grant Tinker, who later ran NBC and who died on Nov. 28.

[ 5 great ‘Mary Tyler Moore’ episodes to stream | How she changed fashion ]

At least a decade before the twin figures of the harried working woman and the neurotic, unwed 30-something became media preoccupations, Ms. Moore’s portrayal — for which she won four of her seven Emmy Awards — expressed both the exuberance and the melancholy of the single career woman who could plot her own course without reference to cultural archetypes.

The show, and her portrayal of Mary as a sisterly presence in the office, as well as a source of ingenuity and humor, was a balm to widespread anxieties about women in the work force.

It modeled a productive style of coed collegiality, with Ms. Moore teasing out the various ironies known to any smart woman trying to keep from cracking up in a world of scowling male bosses and preening male soloists.

Slide Show

“Mary Tyler Moore became a feminist icon as Mary Richards,” said Jennifer Keishin Armstrong, the author of “Mary and Lou and Rhoda and Ted: And All the Brilliant Minds Who Made The Mary Tyler Moore Show a Classic.”

“She only wanted to play a great character, and she did so. That character also happened to be single, female, over 30, professional, independent, and not particularly obsessed with getting married. Mary had America facing such issues as equal pay, birth control, and sexual independence way back in the ’70s.”

The influence of Ms. Moore’s Mary Richards can be seen in the performances of almost all the great female sitcom stars who followed her, from Jennifer Aniston to Debra Messing to Tina Fey, who has said that she developed her acclaimed sitcom “30 Rock” and her character, the harried television writer Liz Lemon, by watching episodes of “The Mary Tyler Moore Show.” Many nonactresses also said that Ms. Moore — by playing a working single woman with such compassion and brio — inspired their performances in real life.

Ms. Moore had earlier, in a decidedly different era, played another beloved television character: Laura Petrie, the stylish wife of the comedy writer played by Dick Van Dyke on “The Dick Van Dyke Show.” Also on CBS, the show ran from 1961 to 1966.

Ms. Moore was the lesser star in those days, but she shared Mr. Van Dyke’s background in song and dance, and as a comedy duo they magnified each other’s charm. Ms. Moore transformed and tamed the vaudeville style that had dominated sitcoms, perfecting a comic housewifely hysteria in Laura, made visible in the way she often appeared to be fighting back tears. Her “Dick Van Dyke Show” performance won her two Emmys.

“I heard something in her voice that got to me,” Carl Reiner, who created and produced the show, once said. “I think the fact that Mary and Dick were dancers gave the whole program a grace that very few programs have.”

Mary Tyler Moore was born on Dec. 29, 1936, in Brooklyn Heights. After living in Queens and Brooklyn, her family moved to California when she was 8. Her father, George Tyler Moore, a clerk, and her mother, the former Margery Hackett, were both alcoholics and, Ms. Moore often said, imperfect parents. The eldest of their three children, Mary would outlive both her sister, Elizabeth Moore, who died of a drug and alcohol overdose in 1978, and her brother, John Hackett Moore, who died of cancer in 1992 after Ms. Moore had assisted him in an unsuccessful suicide attempt.

While she was still a child in Los Angeles, Ms. Moore arranged to live with an aunt, choosing to see her parents only on special occasions.

At 17, she was hired to appear in a series of commercials for Hotpoint appliances in the role of Happy Hotpoint, a caped dancing elf in a body stocking. The ad was shown during episodes of “The Adventures of Ozzie and Harriet.”

Mary Tyler Moore Dancing as Happy Hotpoint (1956) - Classic TV Commercial Video by All Classic Video

In 1955, she married Richard Meeker, a salesman. That same year, she became pregnant, which compromised her effectiveness as an androgynous elf in a fitted costume. Her only child, Richard Jr., was born in 1956. He died in 1980 when a gun with a hair trigger went off in his hands; the gun model was later removed from the market.

After the birth of her son, Ms. Moore danced in various television shows before turning to acting. She had small parts on series like “Bourbon Street Beat,” “77 Sunset Strip,” “Steve Canyon” and “Hawaiian Eye.” As the answering-service girl Sam on “Richard Diamond, Private Detective,” she was more heard than seen: Her character existed only in sexy close-ups of parts of her body, including her mouth, her hands and her elegant legs.

It was another body part, her nose, that was said to have disqualified her from playing Danny Thomas’s daughter on his sitcom “Make Room for Daddy.” She was up for the role, but Mr. Thomas, who took pride in his exaggerated features, decided that her nose was too small to belong to a member of his family.

“The Dick Van Dyke Show” made Ms. Moore, who looked sylphlike in capri pants, a sensation. At Mr. Van Dyke’s behest, however, the series ended in 1966, at the height of its popularity.

Ms. Moore’s marriage to Mr. Meeker had dissolved by 1961, and she met Mr. Tinker, who was then an executive at 20th Century Fox, in 1962. They were married, in Las Vegas, the same year. Together they formed MTM Enterprises, and in the late ’60s, they hit upon an idea for a custom-made showcase.

Photo
Mary Tyler Moore in 1970 before the premiere of her television series “The Mary Tyler Moore Show.” Credit Associated Press

MTM’s on-air mascot was a meowing kitten, whose image evoked, and gently satirized, MGM’s roaring lion, and the branding clicked. Mr. Tinker and Ms. Moore pitched a show to CBS about a recently divorced woman who was working and living on her own, and the network liked it.

The executives’ only reservation concerned the subject of divorce, which was still forbidden on network television. Some even feared that viewers would assume that Laura Petrie, from “The Dick Van Dyke Show,” had divorced Rob, which was unthinkable. A solution was reached: Ms. Moore’s character would be newly single but not divorced, having recently broken up with a fiancé.

In the show, Mary Richards was an associate news producer at WJM, a local television station in Minneapolis. Ed Asner played her boss, Lou Grant, who was gruff, though essentially tenderhearted; Gavin McLeod was Murray Slaughter, a news writer with a boring life; Ted Knight was the vain, dimwit anchorman, Ted Baxter.

The female characters, as finely drawn as the men, were Rhoda Morgenstern (Valerie Harper), Mary’s neighbor, also single; Phyllis Lindstrom (Cloris Leachman), Mary’s manipulative landlady; Georgette Franklin (Georgia Engel), Ted’s baby-voiced girlfriend (and later his wife); and Sue Ann Nivens (Betty White), the husband-stealing hostess of “The Happy Homemaker.”

That Rhoda was Jewish — as was Lou, the show sometimes implied — was unusual for network television at the time. Similarly novel were hints that Mary was sexually active.

The characters all revolved around Mary, whose naïveté and enthusiasm supplied a generous assist for the others’ eccentricities. Just as she had on “The Dick Van Dyke Show,” Ms. Moore could always make a joke her own when she needed to — and the episodes that put Mary’s humor center stage were the best.

In “Chuckles Bites the Dust,” which is on many lists of the best television episodes of all time (TV Guide ranked it No. 3), Mary is appalled by her colleagues’ irreverent response to the undignified death of Chuckles the Clown, the host of a children’s show on their station. But at his funeral, it’s she who can’t control her giggles. Her struggle to suppress laughter is a comic tour de force. (David Lloyd won an Emmy for writing the episode, one of 29 the show won over all.)

“The Mary Tyler Moore Show,” which forsook the gag-a-minute sitcom formula in favor of more character-driven humor, soon became one of the most popular shows in television history, aided only partly by its position in CBS’s winning Saturday-night lineup, which also included “M*A*S*H*,” “All in the Family” and “The Carol Burnett Show.”

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On “The Dick Van Dyke Show,” Ms. Moore played Laura Petrie, the stylish wife of a comedy writer played by Dick Van Dyke. Credit Don Brin/Associated Press

The writers and producers who worked on “The Mary Tyler Moore Show” went on to develop a raft of other hit sitcoms, including “Taxi,” “Cheers” and “The Simpsons.”

Among the show’s many memorable flourishes was its theme song, “Love Is All Around,” written and performed by Sonny Curtis. The lyrics were rewritten after the first season. The opening lines — “How will you make it on your own?/This world is awfully big, and girl, this time you’re all alone” — were revised to reflect the show’s optimism and devotion to its star:

“Who can turn the world on with her smile?/Who can take a nothing day, and suddenly make it all seem worthwhile?”

The adorableness of Mary Richards as a character — with her pluck and her world-brightening smile — was a mixed blessing for Ms. Moore. After the show was canceled in 1977, she set out to demonstrate her range as an actress, choosing roles in television, theater and film that distanced her from the sweetheart characters for which she had become famous.

Her efforts paid off impressively in “Ordinary People.” Her performance as the stony, guilt-ridden mother Beth Jarrett brought her a Golden Globe award as well as the Academy Award nomination. Afterward she said she based the performance on her aloof father.

Robert Redford, who directed the movie, said he had cast Ms. Moore after seeing her walking alone on a beach and realizing that she had a serious side.

In the meantime, “The Mary Tyler Moore Show” fractured into spinoffs: the sitcoms “Rhoda” and “Phyllis” and the acclaimed drama “Lou Grant,” a rare example of an hourlong series spun off from a half-hour sitcom.

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Ms. Moore’s performance on “The Mary Tyler Moore Show,” for which she won four of her seven Emmy Awards, expressed the exuberance and the melancholy of the single career woman. Credit Pioneers of Television Archives, via PBS

This period represented a winning streak for MTM Enterprises, which was overseen almost exclusively by Mr. Tinker. The company produced not only those spinoffs but also the critical and popular hits “The Bob Newhart Show,” “Newhart,” “WKRP in Cincinnati,” “Hill Street Blues” “St. Elsewhere,” “Remington Steele” and “Rescue 911.”

On Broadway, MTM Enterprises produced Michael Frayn’s farce “Noises Off.”

In the 1980s, Ms. Moore admitted to having a drinking problem. It had started, she said, when she was starring in “The Dick Van Dyke Show” and had finally reached untenable levels. (In 2000, Mr. Van Dyke told Larry King that he was also an alcoholic and that he had also started drinking heavily while working on the show.) Ms. Moore entered the Betty Ford Center for treatment in 1984.

She had had Type 1 diabetes since her 30s and in 2011 underwent brain surgery to remove a benign tumor.

From the late 1970s into the ’80s, Ms. Moore had a string of lackluster, low-rated shows, including a 1978 variety hour, “Mary.” It lasted only three episodes and is notable mainly because David Letterman and Michael Keaton were among the regulars. It was followed that season by a hybrid variety-comedy show, “The Mary Tyler Moore Hour,” which was gone after 11 episodes. None of her shows in those years lasted more than one season.

She also sought roles that would let her express the gravitas she had shown in “Ordinary People.” In 1980, she won a Tony Award for her performance on Broadway as a quadriplegic who wanted to die in “Whose Life Is It, Anyway?”

On television, she played a breast cancer survivor in “First You Cry,” Mary Todd Lincoln in “Gore Vidal’s Lincoln” and the cruel director of an orphanage in “Stolen Babies,” for which she won her seventh Emmy.

In 1995, in an interview with The Times, Ms. Moore was asked if she resented being asked by reporters about Mary Richards. “I think some of them may be trying to find some way to instruct, or to make a judgment about, or in some way set themselves above me,” she said.

Photo
Ms. Moore in 2011 at her home in Connecticut. Credit Fred R. Conrad/The New York Times

“I’ve come to the point in my life where I don’t have to work,” she continued. “I work because I enjoy it. I only enjoy doing things that frighten me a little bit. And I am an actress. I think I am an actress as well as a personality. And I’ve got to keep the actress in me happy.”

In the 1996 movie “Flirting With Disaster,” Ms. Moore played with aplomb the mortifying adoptive mother of Ben Stiller’s character, who at one point lifts her shirt to show her son’s girlfriend how a bra should fit. In 2001, she was executive producer of a macabre television movie, “Like Mother Like Son: The Strange Story of Sante and Kenny Kimes,” in which she also starred as the killer mom Sante.

She also became more willing to indulge in nostalgia. The 2001 television movie “Mary and Rhoda” brought Ms. Moore and Ms. Harper together again, playing older versions of their 1970s characters. (Mary was widowed, and Rhoda divorced.)

A more successful reunion came in 2003, when she starred with Mr. Van Dyke in a PBS adaptation of the Pulitzer Prize-winning play “The Gin Game.” In 2004, she and Mr. Van Dyke reunited again on “The Dick Van Dyke Show Revisited.”

She went on to make several guest appearances in 2006 as a TV host on “That ’70s Show,” which was shot on the soundstage that once belonged to “The Mary Tyler Moore Show.” In 2013, she was reunited with all four of her female “Mary Tyler Moore Show” co-stars on an episode of the sitcom “Hot in Cleveland,” whose cast included Betty White and Georgia Engel. Ms. Moore at last seemed to accept and even embrace the pop significance of the Mary Richards era.

In 2012, the Screen Actors Guild gave Ms. Moore a lifetime achievement award. Ms. Moore and Mr. Tinker divorced in 1981, although they remained friends. In 1983, she married Dr. Robert Levine, a physician, who is her only immediate survivor. The couple lived in Manhattan and on a farm in upstate New York.

Outside her performing career, she was chairwoman of the Juvenile Diabetes Research Foundation International and spoke openly about her own struggle with the disease, diagnosed in the 1960s. A vegetarian, she was also an outspoken proponent of animal welfare, and she established funds for arts scholarships.

The airborne tam o’shanter that appears in a freeze frame at the end of the opening credits on “The Mary Tyler Moore Show” came to symbolize the here-goes-nothingism that Mary Richards, as well as Mary Tyler Moore, always conveyed. In 2002, a statue showing Ms. Moore tossing the hat was unveiled in downtown Minneapolis.

Correction: January 25, 2017
Because of an editing error, an earlier version of this obituary misstated the network that Grant Tinker headed. It was NBC, not CBS.

Daniel E. Slotnik contributed reporting.